Parham Ghalamdar is an Iranian-born artist based in Manchester, working across painting, ceramics, moving image, installation and writing. Drawing on speculative archaeology, philosophy and cybernetics, his practice examines how images and objects are shaped by war, exile, technology and ecological collapse.
His latest solo exhibition, Aerotheology (2026), was presented at Leeds Arts University. His experimental film The Sight Is a Wound (2025) has received multiple awards and screened at over 50 international festivals and exhibitions. His work is held in the UK Government Art Collection and other public collections.
Ghalamdar is a 2026/27 Folger Shakespeare Library Artistic Research Fellow, Factory International Fellow and New Contemporaries selected artist. His forthcoming book Persophobia will be published by Posthuman Press in 2027.
2026, To the Wonder
Parham Ghalamdar presents Archeological Site No. NYZ (2026), part of his ongoing Deep Objects research, in To the Wonder, curated by Salomé Jacques at Hypha Gallery South Bank, London.
2026 An Image Cannot Hold a Burning Homeland
2026 POSTPOSTPOST, Volume II
2026, Aerotheology
2026, Deep Objects, Item Literature, and the Refusal to Image
2025, SNW_DSRT
2025 Burial Without Body
2026, Kahrizak, 720x480
2025, THE HYPERSTITIONAL DETERRENCE
2025, TURNER 250 CONFERENCE
2025, SIAHKAL 2.0: An A.I. resurrected discourse on Marxism & Islam
2025, THE SIGHT IS A WOUND
2025, Q&A With Parham Ghalamdar
2025, Saffron, Silence, and the Coming Ruin: A Review of Omid Asadi’s Unfinished Sentences
2025, Speculative Broadcast: Decolonising Archaeologies of Technology?
2025, Signal After Myth
2025, Reza Negarestani’s Cyclonopedia, Persian Edition
2023–2025, 🥤 (Fizzy Brown Drink) / TO SHIFT A STONE
2025, TRUTH PERFORMED / TRUTH DISRUPTED