Parham Ghalamdar is an Iranian-born artist based in Manchester, working across painting, ceramics, moving image, installation and writing. Drawing on speculative archaeology, philosophy and cybernetics, his practice examines how images and objects are shaped by war, exile, technology and ecological collapse.
His latest solo exhibition, Aerotheology (2026), was presented at Leeds Arts University. His experimental film The Sight Is a Wound (2025) has received multiple awards and screened at over 50 international festivals and exhibitions. His work is held in the UK Government Art Collection and other public collections.
Ghalamdar is a 2026/27 Folger Shakespeare Library Artistic Research Fellow, Factory International Fellow and New Contemporaries selected artist. His forthcoming book Persophobia will be published by Posthuman Press in 2027.
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THE HYPERSTITIONAL DETERRENCE
SIAHKAL 2.0: An A.I. resurrected discourse on Marxism & Islam
Q&A With Parham Ghalamdar
Saffron, Silence, and the Coming Ruin: A Review of Omid Asadi’s Unfinished Sentences
ARTIST STUDIO AS A SITE OF REFUSAL
Derealized Deterrence: Belief as Payload in the Theater of the Feed
Parham Ghalamdar: Textures of Thoughts
Deep Desert Object
publishing Counterculture: GULP Magazine appreciates Ferdowsi Weekly
Resisting Authority and Absurdity: The Enduring Relevance of Iranian-American Painter Nicky Nodjoumi
2022, Echoes of Loss and Celebration: Iranian Home Videos as Beautiful Apparitions
Tendencies in Painting
Unpausing Piero Della Francesca
LOITERING ON THE GRID
Why do I Paint?
NOTES FROM THE STUDIO
2016, "Diaries of a Vandal" publication