Parham Ghalamdar is an Iranian-born artist based in Manchester, working across painting, ceramics, moving image, installation and writing. Drawing on speculative archaeology, philosophy and cybernetics, his practice examines how images and objects are shaped by war, exile, technology and ecological collapse.
His latest solo exhibition, Aerotheology (2026), was presented at Leeds Arts University. His experimental film The Sight Is a Wound (2025) has received multiple awards and screened at over 50 international festivals and exhibitions. His work is held in the UK Government Art Collection and other public collections.
Ghalamdar is a 2026/27 Folger Shakespeare Library Artistic Research Fellow, Factory International Fellow and New Contemporaries selected artist. His forthcoming book Persophobia will be published by Posthuman Press in 2027.
2025, Ghosts in the Feedback Loop
2025, ARTIST STUDIO AS A SITE OF REFUSAL
2025, Derealized Deterrence: Belief as Payload in the Theater of the Feed
2024, Water, Blood, & Oil
2024, Parham Ghalamdar: Textures of Thoughts
2024/25 APP Creative Commissions Programme
2024, Transform, a City Takeover
2024, Deep Desert Objekt
2023–2024, Hybrid Futures
2023–2024, 4C Group UKNA Bursary
2024, & Eventually A Plate
2024, Deep Desert Object
2024, publishing Counterculture: GULP Magazine appreciates Ferdowsi Weekly
2024, Crashlanding the Persian Mothership
2024, UK New Artist of the Year Award
2023, R.I.O.T.
2023, Centre of the Periphery
2023, DYCP grant
2023, Poetics of Water