Parham Ghalamdar is an Iranian-born artist based in Manchester, working across painting, ceramics, moving image, installation and writing. Drawing on speculative archaeology, philosophy and cybernetics, his practice examines how images and objects are shaped by war, exile, technology and ecological collapse.
His latest solo exhibition, Aerotheology (2026), was presented at Leeds Arts University. His experimental film The Sight Is a Wound (2025) has received multiple awards and screened at over 50 international festivals and exhibitions. His work is held in the UK Government Art Collection and other public collections.
Ghalamdar is a 2026/27 Folger Shakespeare Library Artistic Research Fellow, Factory International Fellow and New Contemporaries selected artist. His forthcoming book Persophobia will be published by Posthuman Press in 2027.
2025, THE SIGHT IS A WOUND | Video Essay
2026, An Image Cannot Hold a Burning Homeland | Essay
2026, Faces & Threads | Research-based Participatory Painting
2025, PHOSPHENIC_SUN [PLAY ▸] | Video-Poem
An unfinished video-poem made from digitised VHS tapes recorded in Iran in 1998. PHOSPHENIC_SUN [PLAY ▸] moves between degraded home-video images, synthetic phosphenes, childhood sunlight and the unstable border between memory and hallucination.
2025, SNW_DSRT | Experimental Video-Poem
2025, Burial Without Body | Experimental Artist Film
2025, TURNER 250 CONFERENCE | Conference Presentation & Research Project
2025, TRUTH PERFORMED / TRUTH DISRUPTED | Unfinished Video Essay
2025, Ghosts in the Feedback Loop | Virtual Group Exhibition
2024, Crashlanding the Persian Mothership | Short Documentary Film
2023, DYCP | Arts Council Research Grant & Documentary
2023, The Appliance Of Science | Commissioned Animation
2022, Echoes of Loss and Celebration | Sound & Moving-Image Project
2022, "RDPE" animation
2020–2021, “Ascending the Persian Mothership” animation at HOME, Mcr.