دوّارنامه
Rotanomicon (دوّارنامه) brought together Parham Ghalamdar and Abolfazl Harouni in an exhibition examining warfare, belief, image-making and technological systems.
Working across painting, prints, 3D-printed toys, collected objects and moving image, the artists explored how images of conflict circulate and reproduce themselves through history, ritual, archives and digital culture. The exhibition considered warfare as a recurring system of signs and representations, extending its battlefield into memory, simulation and collective imagination.
EXHIBITION
Rotanomicon / دوّارنامه
Kandovan Projects, Pejman Foundation, Tehran, Iran
12 June to 10 July 2026
Artists: Parham Ghalamdar and Abolfazl Harouni
CRITICAL REVIEW
Posht-e Bam Magazine published a critical review of the exhibition, titled «همدستی حافظهی بصری مواد بینام».
THE BOOK
An accompanying book was published for Rotanomicon, with writing by Reza Negarestani. The publication extends the exhibition’s investigation into war imagery, memory and the systems through which violence acquires meaning.
The book was launched on 17 July 2026 at Argo Factory, Pejman Foundation, Tehran, with a discussion featuring Negarestani and Ghalamdar, who joined online.
PRINTS AND EDITIONS
Selected editions related to the exhibition are listed through Maghaaze, Pejman Foundation’s publishing and editions platform.
Parham Ghalamdar, Untitled
Abolfazl Harouni, Rotanomicon
LINKS
Exhibition page: https://pejman.foundation/kandovan/%D9%86%D9%85%D8%A7%DB%8C%D8%B4%DA%AF%D8%A7%D9%87-%D8%AF%D9%88%D9%91%D8%A7%D8%B1%D9%86%D8%A7%D9%85%D9%87/
Book announcement: https://www.instagram.com/p/Da5XU3VsIas/
Book launch and discussion: https://www.instagram.com/p/Da0K3YpK4Ve/
